>A friend of mine, a highly successful and very well known painter, calls to say hello and to invite me to an opening.

>I get a great kick out of this guy because, unlike some artists I’ve met, he’s totally unpretentious.

>A few months back he invited me to come to his studio. We were standing around talking, when all of a sudden he said to me, “Do you want to see me earn twenty-five thousand dollars before lunch?” “Sure,” I said, having no idea what he meant. He picked up a large open bucket of paint and splashed some on a piece of canvas stretched on the floor.

>Then he picked up another bucket, containing a different color, and splashed some of that on the canvas. He did this four times, and it took him perhaps two minutes. When he was done, he turned to me and said, “Well, that’s it. I’ve just earned twenty-five thousand dollars. Let’s go to lunch.”

>He was smiling, but he was also absolutely serious. His point was that plenty of collectors wouldn’t know the difference between his two-minute art and the paintings he really cares about. They were just interested in buying his name.

>I’ve always felt that a lot of modern art is a con, and that the most successful painters are often better salesmen and promoters than they are artists. I sometimes wonder what would happen if collectors knew what I knew about my friend’s work that afternoon.

>The art world is so ridiculous that the revelation might even make his paintings more valuable! Not that my friend is about to risk finding out.

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You know what? It makes sense why the general populace embraced AI art so readily.